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OBJECTIVE
To assist a team of creative audio professionals involved with commercial post production projects that will draw on my education and experience.
QUALIFICATIONS
Extensive knowledge of commercial post production audio, accumulated technical skills including 3 years of professional experience using ProTools, and the ability to creatively and professionally aide the team and project.
EDUCATION
1996-2000 Bachelor of Music - Sound Recording Technology, Southwest Texas State University, San Marcos, TX
- Comprehensive liberal arts education including courses in recording, acoustics, music performance, electronics, and computer science.
EMPLOYMENT
2000-2003
Engineer, Music Annex / Polarity Post Production, San Francisco, CA
- Beginning with an internship in June of 2000, became an integral member of a facility that specialized in national TV and radio commercial work participating in over 1100 sessions.
- Involved with varying types of work, including recording, editing, ADR, sound design and mixing for commercials, full-length documentaries, industrial conference videos, and video games.
- Prepared multiple studios for daily session activities allowing engineers to focus on audio responsibilities.
- Ordered media and labeling materials required by all personnel and coordinated with multiple suppliers.
- Maintained an OSX Server that was responsible for facility e-mail and web site.
2003
Audio Engineer / Freelance, Tellme Networks, Mountain View, CA
- Edited and processed voice prompts for proprietary voice navigation system.
2002
Audio Engineer / Freelance, Electronic Arts, Redwood City, CA
- Edited, processed and classified voice prompts for five foreign language versions of The Lord of the Rings video game.
1998-2000
Audio Engineer / Live Sound Reinforcement, Informedia, Austin, TX
- Recorded and edited audio for pre-produced video segments.
- Attended multiple international conferences as supervising sound engineer for the production team.
1998-2000
Live Sound Engineer, The Triple Crown, San Marcos, TX
- Performed basic live engineering tasks such as monitor mixes, front of house mixes, and preparation of equipment for each show.
- Helped developed plan to install recording equipment making the club more appealing to musicians interested in taping live material.
REFERENCES
Available upon Request